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Single Reviews (Page 4)

Yasu Cub find the infinite in the intimate on ‘picking at grass’

2026-03-25
Single Reviews
By: Finneas Enright
On: March 25, 2026

There’s a quiet kind of grandeur at the centre of Yasu Cub’s ‘picking at grass’ that slowly reveals its weight through stillness, patience, and detail. As the emotional anchor of ‘my early years, your spiral arms’, this track feels subtle, steady, and impossible to ignore once you’re within its orbit. WhatContinue Reading

Paper Crown bottle time on ‘Four Leaf Clover’

2026-03-25
Single Reviews
By: Finneas Enright
On: March 25, 2026

There’s a rare kind of magic in music that invites you to stay, pause, and feel every passing second stretch just a little longer. And on ‘Four Leaf Clover’, Paper Crown craft a song that feels suspended between memory and motion, like sunlight caught in slow drift. The Norwegian duoContinue Reading

Milkie faces herself head-on with ‘Saturn’s Return Pt. 2’

2026-03-24
Single Reviews
By: Finneas Enright
On: March 24, 2026

There’s a quiet brutality to ‘Saturn’s Return Pt. 2’ that reveals itself slowly. Under the Milkie moniker, Millie Phipps has always embraced instinct over formula, but here that approach feels sharpened into something more confrontational. Built around a guitar-led framework, the track carries a sense of directness that feels almostContinue Reading

Ché Aimee Dorval finds freedom in feeling on ‘Carnal Needs’

2026-03-24
Single Reviews
By: Finneas Enright
On: March 24, 2026

There’s a quiet electricity running through ‘Carnal Needs’, the kind that settles under your skin, gradually taking hold. Ché Aimee Dorval has always been drawn to atmosphere, but here she refines it into something more intimate, an internal awakening. The track unfolds like a late-night confession, suspended somewhere between clarityContinue Reading

Komok’s ‘Space Commuters’ feels like a transmission from another timeline

2026-03-24
Single Reviews
By: Finneas Enright
On: March 24, 2026

There’s a particular thrill in hearing an artist step into unfamiliar territory and sound completely at home. On ‘Space Commuters’, Alessandro Inglima (working under the Komok moniker) does exactly that, crafting a track that feels like a late-night signal drifting in from a parallel version of the future. From itsContinue Reading

Gregory Ackerman finds freedom in the fracture on ‘Call Me Crazy’

2026-03-23
Single Reviews
By: Finneas Enright
On: March 23, 2026

Gregory Ackerman’s ‘Call Me Crazy’ feels like a moment caught mid-collapse. There’s no attempt to tidy things up here, as the track leans into looseness, allowing feeling to guide form in a way that feels instinctive throughout. From the outset, the groove settles into something hypnotic. Bass and drums moveContinue Reading

Max Threat ignites tension and intent on ‘Thrown’

2026-03-23
Single Reviews
By: Finneas Enright
On: March 23, 2026

Right from the off, Max Threat’s ‘Thrown’ hits like a door kicked open mid-thought. From the first seconds, there’s a sense of immediacy that feels almost confrontational, as if the track is daring you to keep up. It’s raw, kinetic, and the sound of an artist stepping out of theContinue Reading

Kalligary turn isolation into something beautiful on ‘I Never’

2026-03-23
Single Reviews
By: Finneas Enright
On: March 23, 2026

There’s a certain kind of song that pulls you closer as it plays, and ‘I Never’, the latest offering from Berlin-based duo Kalligary, is exactly that kind of track. It seeps through the cracks, settling into your thoughts with a quiet intensity that’s impossible to shake. From the very firstContinue Reading

The Violent Years revisit their origins on ‘Come To Me Lover’

2026-03-23
Single Reviews
By: Finneas Enright
On: March 23, 2026

There’s a certain kind of song that feels as though it’s been waiting patiently for its moment; written in one lifetime, and then released in another. ‘Come To Me Lover’ carries that exact weight by arriving with the quiet confidence of something that has already lived a life before reachingContinue Reading

Sssstephen! bottles memory in motion on ‘Day Trip’

2026-03-23
Single Reviews
By: Finneas Enright
On: March 23, 2026

There’s a particular kind of ache that lives in music shaped by memory, and on ‘Day Trip’, Austin-based artist Sssstephen! leans fully into that space by delivering a track that feels like a recollection unraveling in real time. It’s restless, intimate, and unpredictable in a way that keeps you lockedContinue Reading

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