A master’s degree in piano performance is a career. A Gold Medal in Jazz Vocal at the World Championships of Performing Arts is a different career. Kristina Aglinz holds both, along with the Overall Grand Champion title from the same competition, and she has never treated them as separate lanes.Continue Reading
A crowded restaurant can contain dozens of people and remarkably little eye contact. Eric Hirshberg builds “The Grand Elsewhere” around that recognizable picture, watching a room full of lowered heads and wondering where everyone has gone. His answer is the imaginary destination named in the title. The Grand Elsewhere isContinue Reading
For Almost Alive, artificial intelligence isn’t intended to replace creativity; it’s another instrument in the toolbox. The modern rock project created by software engineer and video game developer Evan Kanter has spent recent years exploring the meeting point between emerging technology and traditional rock songwriting, accumulating more than one million streams along theContinue Reading
Cork outfit Flywheel first emerged in the 90s, releasing their debut album She in 1996 before stepping away for an extended period. Now, after reforming during the pandemic years, they return with ‘CryBaby’, a single that feels like a sharpening of everything that made their early work so compelling in the firstContinue Reading
There’s something immediately appealing about a band that understands exactly where its rough edges belong. And on their new collection EP3, Riverside four-piece Loser Demon continue refining a sound that lives somewhere between wiry post-punk, fuzzed-up indie rock and the kind of early-2000s guitar music that once made nervous energy feelContinue Reading
There’s something distinctly nocturnal about Held the Pulse. Throughout its runtime, Glasgow singer-songwriter Stewart Traquair seems drawn to the point where a city starts to empty out, conversations become looser, memories sharpen and optimism has to fight a little harder to survive. Across five tracks, Traquair moves between psychedelic colour, soul-inflectedContinue Reading
There’s something quietly subversive about the way K Abby Jasper approaches ‘Separate the Sage’. Instead of meeting stress, uncertainty and modern overload with outright anger, Joey Fasolino filters them through something more elusive that is part indie folk confession, part ambient experiment, and part private ritual. The title-track from hisContinue Reading
There’s a quiet ache running through ‘Glas und Steine’. Here, Witte approach heartbreak as something slower and more difficult to name; capturing the gradual recognition that a relationship is changing while part of you still hopes it can be repaired. The northern German duo, formed by producer Marvin Burfeind andContinue Reading
There’s a hard-earned weariness running through ‘The Coast’. Podge Lane has spent much of the last year in motion, playing extensively across the United States before returning to Ireland, and his latest single sounds shaped by that same tension between leaving, returning and wondering whether either place still feels entirelyContinue Reading
There’s a patience to home that feels entirely deliberate. The nine-track album from motko, the solo project of musician Shorty, is a record focused on perspective. After years spent playing in bands including Millhouse, Symbiosis and IONS, he has stepped into a space that feels more private and self-directed, using the recordContinue Reading