Start Forward finds light through ruin on ‘Glorious’
From the opening notes of ‘Glorious’, it’s clear Start Forward isn’t interested in easy optimism. Instead, Joshua Sturtevant’s latest single walks a more complex line- one where beauty is bruised, hope is hard-won, and the very idea of glory feels more like survival than celebration. Pulled from the upcoming ‘BreathingContinue Reading
Launch Control’s ‘Plastic Fruit’ is a quiet panic in slow-burn form
With ‘Plastic Fruit’, Launch Control swaps their usual frenetic punch for something more insidious- a creeping dread disguised as a lullaby. It’s the kind of track that doesn’t slam the door, but leaves it slowly swinging open as the wind howls through. Gone are the charging riffs and punk urgencyContinue Reading
Frank Hannon unveils raw, reflective new instrumental “One More Time”
Frank Hannon, best known as the lead guitarist of hard rock legends TESLA, takes an unexpected left turn with his latest solo release “One More Time.” The instrumental track, out now, offers a vulnerable and quietly powerful preview of his upcoming album Reflections, due September 12. Far removed from the high-octaneContinue Reading
Nordstahl’s ‘Ragnarök in Berlin’ wields myth as a mirror to modern collapse
There’s no build-up on ‘Ragnarök in Berlin’- Nordstahl throws you straight into the fire. Forged at the molten crossroads of myth and modernity, the debut concept album from the German industrial metal project doesn’t just draw from Norse legend- it weaponises it. In a world where decay is dressed inContinue Reading
Mahto & The Loose Balloons strip it all back on ‘Something Old, Something New, Something Borrowed, Something Blue’
In a time where overproduction often disguises itself as authenticity, Mahto & The Loose Balloons take the opposite route- turning down the volume, simplifying the structure, and letting the songs speak for themselves. With ‘Something Old, Something New, Something Borrowed, Something Blue’, Mahto delivers a quietly compelling set that thrivesContinue Reading
Doomsdaycult’s ‘Welcome to the Afterlife’ is a fire-and-brimstone club ritual for the end times
If the club is the cathedral and the synths are the stained glass, then Doomsdaycult just stormed the pulpit with ‘Welcome to the Afterlife’, a scorched-earth sermon that blurs the line between electronic music and apocalyptic mythology. Steeped in industrial menace and cultic pageantry, the song unfolds like a vision fromContinue Reading
Snow Shack’s ‘Weekend’ is a Lo-Fi escape route for the overworked soul
Emerging from the wide-open stillness of Jackson Hole, Snow Shack makes their first mark with ‘Weekend’- a debut single that floats in like a breeze through the window on a late July afternoon. Built on fuzzy textures, soft-edged melodies, and an unhurried rhythm, ‘Weekend’ evokes a quiet confidence that’s rareContinue Reading
LunaRover’s ‘Fountains’ is a time-warped rebuild through retro glow
On their latest single ‘Fountains’, LunaRover doesn’t just nod to the past- they dig into it, flip through its textures like a thrift store bin, and pull out something uniquely their own. This isn’t just retro for the sake of aesthetic. It’s memory turned into melody- a shimmering collage ofContinue Reading
FNP rewinds the clock with new single ‘IN2HEAVEN’
With huis latest anthem ‘IN2HEAVEN’, East London producer FNP looks to resurrect a forgotten feeling. Drawing from the golden era of late-’90s and early-2000s club culture, the single pulses with warmth and wistfulness, channelling the emotional high points that once defined the dancefloors of Space, Amnesia, and Manumission. Written partly inContinue Reading
Flo Fields unveils her soul-soaked debut single ‘Dependency’
With her debut single ‘Dependency’, Flo Fields steps into the spotlight with a quiet, arresting grace. It’s a track that breathes, observes, and trusts you’ll listen. And you will. Rooted in a deeply personal moment of reflection, ‘Dependency’ unfolds with a sense of both intimacy and expansiveness. The lo-fi guitar motif, paired withContinue Reading