MäRK explore unease and resistance on ‘The Eleventh Hour’
The Eleventh Hour introduces Swedish-Danish duo MäRK with a debut album that brings together electronica, industrial textures, krautrock and trip-hop within a distinctly theatrical framework. Helena Berglund and Christian Rønn describe their approach as “electronica poetica”, and the term suits a record where sound design and lyrical themes are given equalContinue Reading
Chatrooms let the light crack open on ‘Helio’
‘Helio’ begins in warmth and gradually reveals something far less comfortable underneath. The new single from San Fernando Valley band Chatrooms takes its name from the Greek word for “sun”, and that brightness is reflected in the song’s opening character. Melodic, reassuring and relatively open, it initially feels closer toContinue Reading
Hurb Jephasun leaves the cracks exposed on ‘In The End’
There’s a refusal to tidy things up at the centre of In The End. The new four-track EP from Australian outsider artist Hurb Jephasun is deliberately left raw, preserving room noise, breath, imperfect vocals and the physical presence of the instruments. It’s an approach that certainly suits an artist whose historyContinue Reading
Beyond The Music: ColliderScopeCollective puts psychology at the heart of artist development
Copenhagen-based music publisher and management company ColliderScopeCollective (CSC) is taking a different approach to artist development, placing communication, trust and psychological understanding at the centre of its creative operations. Founded by Simon Dilling, the collective connects songwriters, artists and producers across Copenhagen and Los Angeles, with its roster holding credits involving Kendrick Lamar, Taylor Swift, Omar Apollo and Green Day. In a move that challenges traditional music industry practices, CSC has partnered with clinical psychologist Simon Gentsof Stem Sindet to introduce structured psychological workshops into the collective’s everyday working environment. But rather than focusing solely on individual wellbeing, the initiative explores how artists and producers communicate, manage creative disagreements, establish responsibilities and build stronger professional relationships. Following three workshops in Copenhagen, the programme will continue throughout 2027, with plans to extend the approach to CSC’s LA roster. The collaboration could also develop into a series of talks examining the relationship between psychological understanding and sustainable creative careers. We caught up with ColliderScopeCollective to discuss the inspiration behind the initiative, bringing clinical psychology into music management, overcoming communication barriers within creative teams and whether this approach could offer a different model for the wider music industry. – ColliderScopeCollective has taken the unusual step of bringing a clinical psychologist into its creative and professional environment. What first inspired this decision, and what did you feel was missing from the traditional music managementContinue Reading
colourshop reflects on loss and perspective on ‘Old Man’
‘Old Man’ is a restrained and personal single shaped by the sudden death of Alfredo Salvati’s father in October 2025. Released under his colourshop project, the song was written during a period of intense family grief and recorded in his parents’ house, where he set up a temporary home studioContinue Reading
KaiserKillers deliver pure power-pop momentum on ‘5000 Miles (26 mix)’
‘5000 Miles (26 mix)’ takes a familiar touring fantasy and gives it a more bittersweet centre. This new single from Colchester trio KaiserKillers follows an imagined road trip across the United States, loosely tracing Route 66 and playing sold-out shows along the way. On paper, it sounds like pure rock-and-rollContinue Reading
Bad Valentines find company in the dark on ‘November Shadows’
‘November Shadows’ introduces Bad Valentines’ forthcoming debut album with a song that treats darkness as something that can become strangely reassuring. Written by guitarist Pekko Mantzin, the single follows the idea that shadows can offer companionship when the mind feels most isolated. It’s a simple image, but an effective one,Continue Reading
UCHAYE explores a five-stage reinvention on ‘WAR IS OV3R’
On her debut EP WAR IS OV3R, UCHAYE treats heartbreak as the beginning of a character arc. The Minneapolis-based Nigerian-Zimbabwean artist’s first collection unfolds across five connected tracks, following one protagonist from obsessive denial through escape, ambition and eventual reinvention. It’s a compact concept, but she gives each stage its ownContinue Reading
JAE-X explores connection over isolation on ‘Friendship Manifesto’
Friendship Manifesto is a 20-minute jazz improvisation built around the relationship between isolation, community and self-connection. Created by JAE-X, the project of Indian classical percussionist and producer Jay Mistry, the piece uses tabla as its central rhythmic foundation while moving through a series of contrasting emotional and musical sections. TheContinue Reading
St. Divine revisit political unease on ‘Midnight (to Track)’
‘Midnight (to Track)’ arrives as a previously unreleased piece from the sessions for St. Divine’s debut album The Devil You Know, brought back into focus because the band felt its political themes remained too timely to leave behind. Originally omitted from the LP because of vinyl timing constraints, the track nowContinue Reading