There’s something quietly compelling about Mt. Kili’s second full-length offering ‘The Noticer’. It unfolds patiently, rooted in observation, memory, and the kind of emotional clarity that only comes from lived experience. At the centre of the record is Rick Sichta’s songwriting; still intimate in spirit, but now framed within a broader,Continue Reading

There’s a noticeable sense of intent behind Planer’s latest release, a two-track EP that continues to shape the Minneapolis band’s identity. Following their early momentum, ‘Feel It Too / Dial’ feels like a sharpening of what they already do well: balancing density with restraint and weight with openness. Across both tracks, PlanerContinue Reading

There’s a lived-in quality to Mattock’s music that feels earned, and ‘Lil’ Busted Fox’, the first glimpse of their forthcoming album Daughters, leans confidently into that sensibility. Formed by longtime collaborators Casey Brandt and Jason Fletcher, the Southern Maryland outfit draw on decades of experience without allowing it to weigh theContinue Reading

There’s a clear sense of identity running through the self-titled debut from the electro-acoustic quartet Floating Sheep. Rather than positioning itself as a showcase of individual moments, the album feels structured around the central idea of rethinking how unusual instrumentation can function within a contemporary jazz framework. Across the record, rhythmContinue Reading