‘Blame Myself’ is a restrained and deeply personal reflection on self-respect, emotional dependency and the difficulty of recognising when a relationship has become harmful. Written during Courtney Graf’s former marriage, the song emerged from a period of domestic abuse and captures the uncertainty she experienced while trying to reconcile commitmentContinue Reading

August Benjamin’s self-titled album is shaped by inheritance in the most literal sense. The Vermont singer-songwriter’s nine-track debut brings together his own material with unfinished songs originally started by his father, Colin, creating a record where two generations of writing gradually fold into one another. Some ideas are recent, othersContinue Reading

Ludorigen is an album that rewards attention. The debut full-length from Haikunika, the solo project of electronic artist Veronica Polo, moves patiently between downtempo electronica and experimental pop, creating a record that feels more concerned with atmosphere, texture and ideas than with any obvious immediacy. Its central themes are broad: consciousness,Continue Reading

Photo credit: Shawn Poynter The title Christians for Goliath places a familiar biblical story under uncomfortable pressure. Adeem the Artist’s forthcoming album considers how a religious tradition associated with mercy can become aligned with power at the expense of vulnerable people. Its latest single, “Children of the Lord,” brings thatContinue Reading

On new single ‘dangerous things’, Toronto-based artist torched porsche turns literature, language and the reproduction of ideas into the basis for a dark, unpredictable piece of alt-pop. Built from sampling, synths and hard-hitting beats, the track deliberately avoids settling into one genre, moving between hip-hop, indie-pop and electronic music withContinue Reading

‘Leave It All Behind’ explores that familiar fantasy that somewhere else might make everything different. And Phoenix-based composer, painter and outsider artist Allan Jamisen approaches that idea with a mixture of romanticism and scepticism, turning the promise of escape into something far more complicated. The song imagines the rush ofContinue Reading

There’s a crucial difference between wanting to escape a destructive relationship and wanting to disappear inside it, and ‘Like Moths’, the new single from Hermidgets, is more interested in the second possibility. The song approaches emotional dependency as something disturbingly seductive, where surrender isn’t simply a consequence of the relationshipContinue Reading