There’s something quietly subversive about the way K Abby Jasper approaches ‘Separate the Sage’. Instead of meeting stress, uncertainty and modern overload with outright anger, Joey Fasolino filters them through something more elusive that is part indie folk confession, part ambient experiment, and part private ritual. The title-track from hisContinue Reading
There’s a quiet ache running through ‘Glas und Steine’. Here, Witte approach heartbreak as something slower and more difficult to name; capturing the gradual recognition that a relationship is changing while part of you still hopes it can be repaired. The northern German duo, formed by producer Marvin Burfeind andContinue Reading
There’s a hard-earned weariness running through ‘The Coast’. Podge Lane has spent much of the last year in motion, playing extensively across the United States before returning to Ireland, and his latest single sounds shaped by that same tension between leaving, returning and wondering whether either place still feels entirelyContinue Reading
There’s a patience to home that feels entirely deliberate. The nine-track album from motko, the solo project of musician Shorty, is a record focused on perspective. After years spent playing in bands including Millhouse, Symbiosis and IONS, he has stepped into a space that feels more private and self-directed, using the recordContinue Reading
It would have been easy for Leo Sawikin to write something straightforward with a title like ‘Burning Love’. A huge chorus. A declaration. Perhaps a little heartbreak around the edges. Instead, he gives us wolves. He gives us sparrows crying into the night, distant constellations, strangled flowers, vast oceans and figuresContinue Reading
Sim Simi’s ‘Truckers and Trolls’ takes a relatively small real-world incident and uses it to examine a much larger feature of modern life: how quickly context can disappear once something reaches social media. The song was prompted by a TikTok clip showing a disagreement with a pallet delivery driver atContinue Reading
There’s something fitting about a song called ‘Shortcuts’ taking years to find its final form. GOODTWIN’s new single began as a bedroom-written idea Augusta “Gus” Alexander once considered too slight to pursue. But instead of forcing it into shape, she left it alone. When the song eventually resurfaced, collaboration gaveContinue Reading
What if your dating app isn’t the only thing influencing who catches your eye? MirrorMouth is asking exactly that on new single ‘My Genes Are Shouting’, an upbeat alt-pop track that turns evolutionary biology, modern romance and human attraction into an unexpectedly catchy thought experiment. Behind the project is a Swiss songwriter withContinue Reading
There’s a contradiction at the centre of ‘with soul’ that gives the track much of its appeal. Music disappears the moment it’s played, yet somehow manages to survive long after the people who made it are gone. Toronto artist torched porsche takes that tension and turns it into a sleek,Continue Reading
There’s a particular kind of nostalgia attached to the future we were once promised. Chrome surfaces, neon skylines, talking cars, glowing dashboards and synthesisers announcing that tomorrow had finally arrived. And on his newest album Yesterday’s Future, Magdi Aboul-Kheir taps directly into that collective memory and turns it into nine tracksContinue Reading