‘Daydreaming In The Dark’- Maxwell Knowles illuminates the shadows on his poetic debut 

With ‘Daydreaming In The Dark’, Austin-based artist Maxwell Knowles steps into the indie-pop arena not with a bang, but with a quiet, cinematic ache. His debut full-length offering is a nuanced, genre-blurring meditation on memory, longing, and the hard-earned clarity that sometimes only emerges in the stillness after emotional storms.

From the outset, Knowles makes it clear this is a carefully sequenced diary of self-exploration. The opening track, a spoken-word piece over ambient textures, invites listeners into a world where heartbreak and healing are equally formative. It’s a daring way to start, signalling that what follows won’t be tethered to formula, but to feeling.

The title track is a hazy reverie, conjuring the loneliness of midnight musings with delicate piano lines and field recordings that ground its atmosphere in the everyday. Elsewhere, tracks like ‘When I Remember You’ and ‘SEA (Forget The River)’ balance haunting lyricism with lush, widescreen arrangements that recall the emotional resonance of artists like Perfume Genius or early M83.

‘Letters’ is a standout moment: a fragmented ballad shaped by travel, distance, and the desire to hold on to something fading. It’s here, and on the existential ache of ‘I Can’t Die (Without You)’- that he leans most fully into vulnerability, and it pays off in spades.

Instrumental interludes like ‘it’s 10:47pm and i’m thinking of you’ offer space to breathe, while ‘Heal Holding Hands’ and ‘Can’t Break Me Down’ bring emotional levity and resilience to the table. The record closes with ‘Monsters’, a track that reframes fear through a compassionate lens. Rather than fighting the darkness, Knowles brings it to the table- and in doing so, finds something like peace.

Sonically rich, emotionally generous, and brimming with poetic detail, ‘Daydreaming In The Dark’ is a striking debut. Maxwell Knowles doesn’t offer easy answers, but he does offer an invitation to sit with discomfort, to honour our histories, and to dream toward something softer and more honest.

If this is where he begins, the road ahead promises even deeper revelations. Keep the lights dim and the headphones on- Knowles is only getting started.