Kimerica’s ‘Venere in pellicola’ works through gradual change. Rather than presenting its electronic and pop influences all at once, the track develops in stages, beginning from a comparatively light indie-pop foundation before moving towards a darker and more club-oriented sound. Written and produced by Erica Noventa and Marcello Realdon, ‘VenereContinue Reading
Ana Schurmann’s work often sits at the meeting point between disciplines, and ‘Peacemakers’ continues that approach in a comparatively accessible form. The Brazilian-born composer and multidisciplinary artist brings together cinematic pop, unusual instrumentation and a humanitarian message in a song centred on unity, compassion and collective responsibility. Entirely self-produced, theContinue Reading
A successful cover doesn’t always need to compete with the original. Sometimes its greatest achievement is revealing that a familiar song can survive after almost everything recognisable about its surroundings has been removed. And Anton Donovan takes precisely that approach to ‘No More Tears’, pulling Ozzy Osbourne’s classic away from itsContinue Reading
Sean MacLeod has long understood that a memorable melody can carry difficult ideas further than a lecture ever could. And on ‘Inside Out’, the Irish singer-songwriter, composer and author brings that principle into sharp focus, pairing an accessible pop structure with a more searching examination of identity, isolation and the pressuresContinue Reading
There’s a particular kind of anger that comes from feeling visible to everyone except the people whose attention seems to matter most. And on their latest anthem ‘Killing It’, Kingston-based alt-rock band ferb take that frustration and drive it straight through a tightly wound, radio-ready burst of post-punk energy. Formed by four schoolContinue Reading
‘Important Questions’ begins with very little ceremony. A lean guitar figure, an understated vocal and the feeling of a thought being spoken before it has been fully organised are enough to set the track in motion. From there, Memphis artist Carl Krausnick gradually increases its scale, allowing a private reflectionContinue Reading
George Styles approaches music without much interest in explaining it. The Boston-based singer-songwriter writes, performs and produces alone, offers little detail about the story behind his latest single, and appears completely comfortable with the possibility that listeners may interpret it in ways he never intended. But that openness gives ‘Better Conversation’ anContinue Reading
Jetlag’s new single ‘Wicked Tongue’ examines the period after a relationship has ended, when memory, guilt and self-doubt begin to overlap. Written following the collapse of frontman Simon Glancy’s relationship, the track focuses on nights used as a form of escape and the uncertainty that followed when parts of thoseContinue Reading
There’s a difference between poor sound quality and deliberate ugliness, and on ‘Almost Nothing’, Olathe artist NO IDENTITY works carefully within that distinction by turning distortion, digital clutter and limited recording equipment into the foundations of a track that is abrasive without becoming shapeless. Written, performed, produced, mixed and masteredContinue Reading
Baldy Crawlers introduce their forthcoming EP Fais Toi Plaisir with ‘Hatred?’, a contemporary folk song concerned with the psychological demands of war. But instead of presenting just a broad political argument, the group focuses on a single question: what happens when one person is expected to deny the humanity of another? TheContinue Reading