There’s something quietly disarming about a track that doesn’t take itself too seriously, until you realise just how carefully it’s been constructed. On his latest release ‘Canina Canoona’, Louie Cameron reveals a lighter, more mischievous side of his artistry, crafting a song that feels playful on the surface but subtlyContinue Reading
There’s no easing into ‘USA’. OpCritical’s latest release is loud, disorienting, and impossible to ignore. It’s a track built on tension, contradiction, and confrontation, capturing a world that feels increasingly unstable while refusing to surrender to it. From the first moments, the band leans into chaos as a creative tool.Continue Reading
Some songs burst out of the gate, grab you by the shoulders, shake them, and refuse to let go. ‘PRESS’ is exactly that kind of track as DIN NYC steps into the long lineage of politically charged guitar music and delivers something that feels immediate, necessary, and fiercely alive. FromContinue Reading
There’s a peculiar emotional space where humour and heartbreak overlap; where something can feel absurd and devastating at the same time. Albert Hertz steps directly into that contradiction on ‘Lucky Luke’, crafting a track that feels like a knowing smile through tears, equal parts self-aware and disarmingly sincere. At itsContinue Reading
There’s a quiet kind of grandeur at the centre of Yasu Cub’s ‘picking at grass’ that slowly reveals its weight through stillness, patience, and detail. As the emotional anchor of ‘my early years, your spiral arms’, this track feels subtle, steady, and impossible to ignore once you’re within its orbit. WhatContinue Reading
There’s a rare kind of magic in music that invites you to stay, pause, and feel every passing second stretch just a little longer. And on ‘Four Leaf Clover’, Paper Crown craft a song that feels suspended between memory and motion, like sunlight caught in slow drift. The Norwegian duoContinue Reading
There’s a quiet brutality to ‘Saturn’s Return Pt. 2’ that reveals itself slowly. Under the Milkie moniker, Millie Phipps has always embraced instinct over formula, but here that approach feels sharpened into something more confrontational. Built around a guitar-led framework, the track carries a sense of directness that feels almostContinue Reading
There’s a quiet electricity running through ‘Carnal Needs’, the kind that settles under your skin, gradually taking hold. Ché Aimee Dorval has always been drawn to atmosphere, but here she refines it into something more intimate, an internal awakening. The track unfolds like a late-night confession, suspended somewhere between clarityContinue Reading
There’s a particular thrill in hearing an artist step into unfamiliar territory and sound completely at home. On ‘Space Commuters’, Alessandro Inglima (working under the Komok moniker) does exactly that, crafting a track that feels like a late-night signal drifting in from a parallel version of the future. From itsContinue Reading
Gregory Ackerman’s ‘Call Me Crazy’ feels like a moment caught mid-collapse. There’s no attempt to tidy things up here, as the track leans into looseness, allowing feeling to guide form in a way that feels instinctive throughout. From the outset, the groove settles into something hypnotic. Bass and drums moveContinue Reading