Liverpudlian-cum-Kerry man Laurie Shaw is a hard artist to keep up with. By the time you’ve got around to listening to his new album, another one has been released. Ostensibly his seventeenth solo album (his Breaking Tunes page claims over eighty albums have been created across various projects) The Great Southern finds the writer ‘”Continue Reading

  A stunning release from Korean multi-instrumentalist composer Park Jiha, The Gleam ruminates on the essence of light, that ubiquitous electromagnetic radiation that comes and goes as does the day and night. Performed entirely solo, the recordings feature instruments ranging from the glockenspiel to the saenghwang, a traditional Korean wind instrument. TheContinue Reading

Sergiu Celibidache once described time as a ‘condition’ by which ‘the multitude of information contained in sound can be reduced to a unity.’ On Formations by Sunhaus, the tracks seemingly escape from the chains of tempo, smearing notes, and musical voices across a spectrum of electronics and glitches. Formations by Sunhaus IfContinue Reading

Rich Freitas has been behind the drum kit for seventeen years now. For bands like Low-beam and Slander, he has been patient in developing his own musical voice. His debut solo album, using the name Ellery Twinning, was recorded in a log cabin in his native Connecticut. These tracks certainly have a bucolic atmosphere;Continue Reading

Quebecois neoclassical composer Jean-Michel Blais has been releasing his own brand of piano-focused instrumental music since his much-acclaimed debut Il came out in 2016. His third album, aubades, sees the composer rearrange over five hundred separate improvised piano pieces into an eleven-track mission statement on the beauty of spontaneity and the importance of aContinue Reading

A riveting experiment at the intersection of spoken word, performance art, and electronica, Tongues by  Tanya Tagaq is an absorbing, challenging, and often uncomfortable listening experience. The imagery throughout the album is fiercely somatic, using the metaphor of tongue removal as a symbol of language and culture loss at the hands ofContinue Reading

Robert Stillman is an American experimental jazz practitioner currently based in the United Kingdom. This transplant of continents has led the artist to some self-reflection on the philosophy of nationality on What Does It Mean To Be American? Sprawling opener Cherry Ocean is a brooding piano-based piece, Stillman’s velvety vocals resting atop the sporadicContinue Reading