Over the course of a quietly relentless career, Thomas Young has carved out a world that feels entirely his own, stitched together from analogue warmth, melodic instinct, and an unwavering commitment to storytelling. Operating under the banner of Victims of the New Math, he has long existed outside the glareContinue Reading

There’s something quietly compelling about Mt. Kili’s second full-length offering ‘The Noticer’. It unfolds patiently, rooted in observation, memory, and the kind of emotional clarity that only comes from lived experience. At the centre of the record is Rick Sichta’s songwriting; still intimate in spirit, but now framed within a broader,Continue Reading

There’s a clear sense of identity running through the self-titled debut from the electro-acoustic quartet Floating Sheep. Rather than positioning itself as a showcase of individual moments, the album feels structured around the central idea of rethinking how unusual instrumentation can function within a contemporary jazz framework. Across the record, rhythmContinue Reading

There’s a thoughtful, almost meditative quality to Copper Curios’ debut album. Rather than presenting a fixed narrative, ‘Time’ unfolds as a series of shifting states, with each piece exploring how sound can stretch, compress, and reshape our sense of duration. From the outset, the duo establish a careful balance between acousticContinue Reading

There’s a fine balance between reverence and disruption, and FELD walks it with precision on ‘Luster’. Rather than explore a reinterpretation of classical ideas in any conventional sense, it delivers a dismantling, reshaping, and at times, deliberate distortion of them. Drawing loosely from late Romantic piano traditions, the project takes familiar harmonic languageContinue Reading