A raw intensity permeates DIOMEDES, the sophomore album from London-based three-piece ectropunk outfit The Diomedes. This intensity manifests in high-octane drum patterns, expansive guitars, wide-ranging synths, and soaring vocal performances, demonstrating the band’s celestial ambitions. Comprised of members Mark Champion on vocals, guitars, and synths; David Myers on drums; andContinue Reading

Photo by Ivan Mani Hannah Lev – Palm to Palm experimental London-based electronic producer Hannah Lev casts a woozy spell on “Palm to Palm,” a consummate single full of anxious synth swells, sharp hip-hop beats, and angelic vocals. Scratch that. The vocals are angelic, but like an angel that fellContinue Reading

“Bifurcate” is a word that means to divide into two branches or forks, like a river splitting and flowing in different directions. Separation is a theme that resonates with New Jersey prog artist Nat Rusciani, who experienced the dissolution of her band shortly before starting The War Yaks with co-writerContinue Reading

Leixlip-based musician Ogenblik’s experiments in retrofuturistic production culminate in his debut album This Used To Be The Sound of The Future. Employing a range of outdated recording techniques, from dictaphones to the ill-fated MiniDisc, Ogenblik splices everything together with environmental acuteness, Frankensteining innocuous acoustic guitar melodies into more pressing statementsContinue Reading

Australian artist Bradley Murray has been releasing sprawling instrumental music under the moniker The Finch Cycle since 2020. Having released two EPs, Murray has taken the leap to a full-length debut, collaborating with drummer Michael Evans-Barker and trombonist Brendan Bartlett on Mt. Pilot. The album leans into a shady, atmosphericContinue Reading