Blueprint Tokyo’s latest project ‘Dark New Days’ unfolds like a series of connected moments, each one feeding into the next. It sits comfortably in the grey areas, exploring the moments after decisions are made but before their consequences fully arrive. The opening track ‘Orange Tiger’ feels like movement without a destination.Continue Reading
Over the course of a quietly relentless career, Thomas Young has carved out a world that feels entirely his own, stitched together from analogue warmth, melodic instinct, and an unwavering commitment to storytelling. Operating under the banner of Victims of the New Math, he has long existed outside the glareContinue Reading
After years spent shaping his craft behind the scenes, Louie Cameron finally steps into full view with ‘Do You Wanna Go Out?’, and the result is nothing short of captivating. This is a release that feels alive with intent, bursting with character, and brimming with the kind of creative freedom thatContinue Reading
There’s a quiet confidence running through Rock Berg’s latest offering ‘Let Go!’. Built on a foundation of pulsing synths and a firm, steady rhythm, the track leans into movement without ever feeling overstated, offering something that feels both immediate and considered. From the outset, the production sets a clear tone.Continue Reading
On their latest collaboration ‘Voltage’, Wytold & Tolk continue to develop a sound that sits between disciplines without fully settling into any one of them. The album blends six-string cello, guitar, and electronic elements in a way that feels considered, with each component serving a clear role within the wider structure. The openingContinue Reading
With their sophomore single ‘As I Fall I Feel Alive’, Brother Dolly take a considered step further into their quietly exploratory world, offering a track that feels more reflective than dramatic, despite its weighty inspiration. Drawing from the story of Paul Bamba, the song focuses on the brief, suspended moment between being struckContinue Reading
There’s a certain kind of band that feels most alive when it’s on the verge of falling apart, and Map of the Woulds’ latest effort ‘GTFO’ leans directly into that space. It’s restless, unpredictable, and deliberately resistant to settling into anything too comfortable. Built around the songwriting of Andrew Woods, theContinue Reading
There’s a sense of immediacy running through ‘Get Away’ that feels rooted in performance. Tracked live in the studio, LA duo Social Gravy carry a natural looseness that allows their energy to unfold without over-polishing the edges. Built around a tight interplay of guitars and rhythm, ‘Get Away’ leans intoContinue Reading
There’s a raw, unguarded quality to ‘Low On Love’ that immediately separates it from more polished, surface-level rock confessionals. Here, Martin Kuiper delivers a deeply personal excavation of a moment that reshaped the artist’s life, delivered with clarity and conviction. Musically, the track leans into a grounded rock framework ofContinue Reading
There’s something quietly compelling about Mt. Kili’s second full-length offering ‘The Noticer’. It unfolds patiently, rooted in observation, memory, and the kind of emotional clarity that only comes from lived experience. At the centre of the record is Rick Sichta’s songwriting; still intimate in spirit, but now framed within a broader,Continue Reading