From the opening moments of ‘Kite Without A String’, John Lebanon creates an atmosphere that feels familiar yet impossible to place. There is a sense of movement running through every track, as though the songs themselves are searching for somewhere to settle in the haze.
But instead of relying on grand declarations o forced impact, he focus on life’s quieter experiences. Conversations, memories, landscapes, and fleeting encounters become the building blocks of a record that feels remarkably authentic throughout.
Opening with the energetic pulse of ‘Hurricane Eyes’, it establishes a feeling of momentum before the album gradually begins to open up emotionally. By the time ‘Vermontier (Dusk Edition) arrives’, there is a genuine sense of transformation taking place.
But ‘Mizuri’ stands out as one of the album’s most ambitious moments, combining layered vocal arrangements with an expansive instrumental backdrop that feels genuinely uplifting at every turn. Meanwhile, ‘Petit Pierre’ offers a quieter perspective, celebrating everyday experiences with understated elegance.
Throughout the album, there is a strong sense of cultural dialogue without it ever feeling forced or performative. Different influences merge organically and effectively, reflecting the band’s unique journey and collaborative spirit behind the songs.
By the time the closing acoustic performance of ‘I Like To Play – 17’Bones’ arrives, there is a feeling of peaceful resolution. The journey has come to a close, but the lasting impression it has made resonates through us all long after it has ended.
Across this new release, John Lebanon has delivered something truly special. It’s a record filled with compassion, wisdom, and genuine emotional depth, and one we can see ourselves coming back to time and time again.